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Book
Boenn, G. (2018). Computational Models of Rhythm and Meter. Springer. ISBN: 978-3-319-76285-2
Book Chapter
Boenn, G. (2008). Vom Sinn des Hörens. Zur Philosophie der Musik, chapter Rhythmus und Zeitwahrnehmung in der
Musik. Königshausen & Neumann. Mohr, G. and
Kreutzer, J. (Eds.). ISBN: 978-3-8260-3502-9.
Journal Publications
Boenn, G., Brain, M., Vos, M. D., and Fitch, J. (2011).
Automatic music composition using answer set programming.
Theory and Practice of Logic Programming, 11:397-427. DOI:
10.1017/S1471068410000530. Abstract available at:
http://arxiv.org/abs/1006.4948.
Boenn, G. (2002), Gravity-Synthesis mit SynthX,
DEGEM-Mitteilungen. 2-2002.
Peer-Reviewed Conference
Papers
Boenn, G., Brain, M., De Vos, M., and Fitch, J. (2012).
Computational Music Theory. In 1st International Workshop on
Musical Metacreation, MUME2012, Stanford University, Palo
Alto, California, October 9th 2012, Proceedings, 7 pages. In
press.
Boenn, G., Brain, M., De Vos, M., and Fitch, J.
(2011a). Anton - A Rule- Based Composition
System. In Proceedings of the
International Computer Music Conference, ICMC2011,
Huddersfield, pages 135-138. ICMA, Ann Arbor, Michigan. ISBN
978-0-9845274-0-3. Available at: http://hdl.handle.net/
2027/spo.bbp2372.2011.028.
Boenn, G., Brain, M., Vos, M. D., and Fitch, J. (2009).
Anton: Composing logic and logic composing. In Logic
Programming and Nonmonotonic Reasoning, 10th International
Conference, LPNMR 2009, Potsdam, Germany, September 14-18,
2009. Proceedings, pages 542-547. Springer. ISBN:
978-3-642-04237-9.
Boenn, G. (2008), The Importance of Husserl's Phenomenology
of Internal Time-Consciousness for Music Analysis and
Composition, in Proceedings of the ICMC 2008,Belfast. ICMA,
Ann Arbor, Michigan. 4 pages. ISBN 0-9713192-6-X. Available
at: http://hdl.handle.net/2027/spo.bbp2372.2008.157.
Boenn, G., Brain, M., De Vos, M., Fitch, J. (2008), Answer
Set Programming in the Service of Music. In Proceedings of
the 12th International Workshop on Non-Monotonic Reasoning,
KR Inc., Sydney.
Boenn, G., Brain, M., De Vos, M., Fitch, J. (2008),
Automatic Composition of Melodic and Harmonic Music by
Answer Set Programming, in Proceedings of the 24th
International Conference on Logic Programming, Springer,
Berlin.
Boenn, G. (2007), Composing Rhythms based upon Farey
Sequences, in Proceedings of the
Digital Music Research Network conference, 2007, DMRN, Leeds
Metropolitan University. 4 pages. Gibson, I., Stansbie, A.
and Stavropoulos, N. (Eds.).
Boenn, G. (2007), Automated Quantisation and Transcription
of Musical Ornaments from Audio Recordings, in Proceedings
of the ICMC 2007, pages 236-239, Copenhagen. ICMA, Ann
Arbor, Michigan. Jensen K. (Ed.). ISBN: 0-9713192-5-1.
Available at:
http://hdl.handle.net/2027/spo.bbp2372.2007.159.
Boenn, G. (2005), Development of a composer's sketchbook, in
Proceedings
of the 3rd International Linux Audio Conference, Karlsruhe.
ZKM. Available at: http://lac.zkm.de/2005/papers/.
Boenn, G. (2002), Sound of the Stars: Grayity-Synthesis with
SynthX, in Proceedings of the Journées d'Informatique
Musicale, 9e édition, Marseille.
PhD Thesis
Boenn, G. (2011). Automated Analysis and Transcription of
Rhythm Data and their Use for Composition. PhD thesis,
University of Bath.
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